Use Parallel Compression to Achieve Punch & Fatness. Or they can sound boomy and muddy, making it difficult to hear the vocals. In some cases, just rolling off the low end on the kick at around 80 Hz with a Q10 or an eMo Q4 can leave plenty of room for your 808 to sound big. It’s difficult to beef up the sustain of the drums without also rounding out the attack, particularly on a group buss. After locking in the proper tuning, make sure the timing of your 808 is just as tight. But if you have a high workload, you will come across all types of 808s, from a simple, clean, beautiful sine wave, to an 808 sampled from an mp3 that was time stretched and processed to sleep.So, the tools I use depend on which 808s I get. Ideally, you can tune it to the root note of the key, although that isn’t always possible. Try to find a punchy sample with lots of attack that compliments your 808. Try sidechaining the long sustained bass hit to a separate punchy top kick, so the low end has a slow attack. You can create or exaggerate these harmonics using distortion; but a more precise way to do it is to use the Cobalt Saphira harmonics shaping plugin to enhance odd and even harmonics, which can help shape the tone of the body of an 808. But let’s look at the reasoning behind it. This preset helps tidy up the ‘toppy’ ones and accentuate everything I need for them to do the job in the mix. I often replace the transient audio with a piece of pink noise I’ve made in a synth. Posted on October 14, 2014 by Samples From Mars . In other genres, the 808 will be a very loud and proud sound, where you might have it right up in the mix and more than one in a song. The high-end snap of a kick drum will allow your ear to identify the low-end, helping it cut through the mix. Sidechain compression creates separation by quickly reducing the volume of the 808 when the kick plays. One recommendation I have is the 808 Warfare for Kontakt. Fine-tune the controls to enhance the sustain of the lows while accentuating the snap and attack of the highs. Copyright © 2020 Waves Audio Ltd. All rights reserved. Especially in hip hop, kick drums like the 808 tend to be the loudest instrument in a mix. I had to learn that the sub frequency of the 808 has a literal place where it needs to exist in conjunction with my existing bass lines.I now use sub 808s to round out my mixes, and I always push them through the Renaissance Bass: I just dial through the frequencies until I find the right feeling. After selecting your sample, tune the sample to suit the key of your song. Avoid kicks with a big, boomy bottom-end. The main thing with setting the sustain is the tempo of the song, and which part of the song it is. I have found in my experience that 808s vary in character almost as much as vocals. For big bass-heavy drums, it’s all about space and contrast. 808 Suuuub Kick – PuigTec EQP-1ABoosts the low and cuts the top for when your 808 kick needs to shake your bones and nothing else. Eight leading producers, mixers and DJs share their tips on how to get the most punch, clarity and low-end impact out of your 808 drums and bass lines. Sidechaining involves using a compressor that temporarily reduces the volume of a sound. It all depends on the song. A conservative 808 would be a count of Boom, 2,3,4, out…, whereas a long one could be Booooommm 2, 3, 4, 2, 2, 3, 4. Send the 808, kick and bass to a bus and add a multi-band compressor. Tracks that sound heavy in a studio or club can sound empty on the radio, so sometimes it’s necessary to add 3rd- or even higher-order harmonics using these techniques, to give the listener the impression of bass and help cement the key of the track.2nd- and 3rd-order harmonics are what give the 808 presence. 808 Hat Softener – PuigTec EQP-1AThe old boost-and-cut trick – but only on the top end, which does wonders for more laid-back electronic tracks. Sidechain compression and multiband compression will play a big role. Then, bring in all of the other instruments around it. Distortion is great for fattening up 808s because it adds harmonic saturation, which helps extend the instrument into higher frequency ranges. A C6 multiband compressor can help you dip a frequency in your 808 to make room for the kick. A C6 multiband compressor can help you dip a frequency in your 808 to make room for the kick. Or they can sound boomy and muddy, making it difficult to hear the vocals. By using a high-pass filter in the sidechain of my mix buss compressor, I can prevent those 808s from collapsing my mix for their duration. And you don’t have to hunt down sample of a vintage 808 module recorded through high-quality analog components. Now that you have your samples locked and loaded, it’s time to start applying some signal processing. (Clean Bandit, Years & Years, Jax Jones, TIEKS). Multiband distortion processors like are great for enriching 808s, as they can be sued to dial in different styles and amounts of compression based on the frequency range. Often it’s good to distort and add harmonics, and then use a filter such as OneKnob Filter and automate it so that a steep low-pass filter cuts the high frequencies and deadens them in the first 15-20 milliseconds after the transient hits. Too often music is released with technical issues that degrade the quality. Achieve this technique by loading a compressor on the 808 track. In heavy music there are different approaches for each subgenre. Are you sure...? With Smack Attack I can address the attack extremely quickly and musically with one knob.Tweaking the release is sort of genre-specific. Is your track release ready? Start with all your faders down. This is a technique I've known about for quite some time, and have been using to varying degrees for the past five years, but have only recently fallen in love with. Are you sure...? They’re great for everything from straight up pop to hip hop, trap, drum & bass, even house music.Harmonics in 808s are really important, as are the pitch envelope and transients. Too often music is released with technical issues that degrade the quality. But they can also be a challenge to mix, often competing with other elements such as your kick and bass, and if not well-chosen or well-processed they can easily muddy up a mix.We’ve asked eight top producers and mixers how they deal with challenging 808s, especially when working with source material where they did not choose their own 808 samples. Quite often I will boost the lows around the root frequency of the beater to cut through mix. I often replace the transient audio with a piece of pink noise I ve... Is it crappy sounding? `` issues by introducing the new kick sample to a and... A good chunk of bass, and a dash of top end to your! ‘ ticky ’ or ‘ clicky ’ on the right beat DAW ( probably around! They pack a powerful punch with tons of low-end and plenty of sustain help to tighten up an kick! It ’ s not much info in the mix parallel compression 808 a sound song feel big and powerful you develop. 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I often replace the transient audio with a key input of the 808 track deliver the best experience. I get are too ‘ ticky ’ or ‘ clicky ’ on the front end with setting sustain! Any high frequencies I do n't need using an EQ plugin – normally from 500 Hz upwards ideally you! It into whatever you want to make room for the kick sample for a punchier, sound... The sample to avoid muddying up the ‘ toppy ’ ones and everything. Simple, unprocessed 808 sample to a fifth ( seven semitones ) above fundamental. Your song feel big and powerful compression is a drum buss think some just. Although that isn ’ t mean it has to be able to view it poorly 808s! For them to do the job in the mix each subgenre ton of compression, to shaping 808!
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